September 22, 2019 § 3 Comments
Annual Bathing Girl Parade Balboa Beach, California, 1925.
May 19, 2019 § Leave a comment
“Camp tends to come during times of cultural instability.” Andrew Bolton, curator of The Costume Exhibit
I really love this exhibit at The Met right now. It beautifully encompasses for me everything that’s wonderful about fashion. Is it perfect? Probably not, but that doesn’t make it any less special. The exhibit was inspired by Susan Sontag’s 1964 Notes On “Camp” She wrote Many things in the world have not been named; and many things, even if they have been named, have never been described. One of these is the sensibility — unmistakably modern, a variant of sophistication but hardly identical with it — that goes by the cult name of “Camp.”
March 2, 2019 § Leave a comment
When most people think of Andy Warhol they think of his Campbell Soup cans or his Marilyn Monroe portrait, but when I think of Andy Warhol I think of his shoe illustrations and that he was the chief illustrator in the 1950s for I. Miller shoes when my grandfather was the General Manager. I like to think they may have worked together, but lately, I look at this shoe ad of one of my grandfather’s designs and I have to wonder did he illustrate it? The photos below were taken at The Whitney Museum of Art. The Warhol exhibit is running through the end of March. I was struck by how prolific he was as an artist and how at the time he was creating his pop art many didn’t think it was art and I assume there are some now that still don’t, but regardless of what you think about his art, he captured the 20th century creating a better time capsule for future generations than one could ever have imagined through his portraits, illustrations, and films.
August 12, 2018 § 1 Comment
My sister, former dancer turned television writer Liz Benjamin shared with me a video circulating on social media on how Freed pointe shoes are made. She reminded me that our grandfather, Ben Benjamin always wanted to inspect her point shoes, especially when she had switched from Capezio to Freed. She said he was fascinated by the workmanship. Watch the short video above and you’ll see why!
Pain, satin and paper towels: What it takes for ballerinas to dance on their toes Washington Post May 26, 2017
May 20, 2018 § 1 Comment
This is by far one of the most beautiful exhibits I’ve experienced at The Met. It’s at 2 sites. The Fifth Avenue Museum and The Cloisters. I haven’t had a chance to visit the Cloisters yet, hence the Part 1. I’ll post back with photos from The Cloisters at a later date. I love how the fashion is blended with the artwork. The music is pretty fantastic too. If I had to choose a favorite piece it would have to be the black silk taffeta dress by Alexander Mcqueen. This is just a very small sampling. Be sure to click on the videos to get more of a feel for the exhibit.
April 27, 2018 § Leave a comment
April 14, 2018 § Leave a comment
March 9, 2018 § Leave a comment
A couple years before I got out, before we moved into New York City. We talked it over, Ben Schwartz & I, about starting a factory out of town instead of NY. See? It was getting impossible to lead the business there because of the unions and their demands. Prices kept on going up higher, and new machinery was coming into place. So people out of town who made cheap shoes could make better shoes than what they were making with the new equipment. So we went. We went to Lynn, and Boston and St. Louis, Cincinnati. We went all around. When I came back we sat down and talked it over. I says Ben, after seeing all the towns, I think Lynn is the best place of the lot. A lot of the shoe factories have went out of business there. Not good shoemakers like we’ve got in New York, but they could be trained–taught to make better shoes. After I got out, Ben Schwartz did finally go to Lynn. – Ben Benjamin
All photos courtesy of The Library of Congress
February 1, 2018 § Leave a comment
Ben Benjamin: “Cause while he met me he didn’t know anything about me, so uh he went and spoke to his old boss about me, and a few other people. His old boss says to him, he says if you two can get along, he says you can be the biggest men in this town in the shoe business. He says you (Ben Schwartz) in the selling end of it and Ben running the factory. He’s a good factory man, designer – but you’ve got to learn to live with one another, and we got a long fine – When I first told him I wanted to get out, he says no, he wouldn’t let me. Now in all those years, we never had a fight. We never had an argument.”