May 19, 2019 § Leave a comment
“Camp tends to come during times of cultural instability.” Andrew Bolton, curator of The Costume Exhibit
I really love this exhibit at The Met right now. It beautifully encompasses for me everything that’s wonderful about fashion. Is it perfect? Probably not, but that doesn’t make it any less special. The exhibit was inspired by Susan Sontag’s 1964 Notes On “Camp” She wrote Many things in the world have not been named; and many things, even if they have been named, have never been described. One of these is the sensibility — unmistakably modern, a variant of sophistication but hardly identical with it — that goes by the cult name of “Camp.”
March 2, 2019 § Leave a comment
When most people think of Andy Warhol they think of his Campbell Soup cans or his Marilyn Monroe portrait, but when I think of Andy Warhol I think of his shoe illustrations and that he was the chief illustrator for I. Miller shoes when my grandfather was General Manager in the 1950’s. I like to think they may have worked together, but lately I look at this shoe ad of one of my grandfather’s designs and I have to wonder did he illustrate this? The photos below were taken at The Whitney Museum of Art and The Warhol exhibit ends at the end of March. I was struck by how prolific he was as an artist and how at the time he was creating his pop art many didn’t think it was art and I assume there are some now that still don’t, but regardless of what you think about his art he captured the 20th century creating a better time capsule for future generations than I could ever have imagined through his portraits, illustrations and films.
August 12, 2018 § 1 Comment
My former dancer sister shared with me a video circulating on facebook on how Freed pointe shoes are made. She reminded me that our grandfather always wanted to inspect her point shoes, especially when she had switched from Capezio to Freed. She said he was fascinated by the workmanship. Watch the short video above and you’ll see why!
Pain, satin and paper towels: What it takes for ballerinas to dance on their toes Washington Post May 26, 2017
July 30, 2018 § Leave a comment
I finally made it to see the rest of the Met Fashion exhibit Heavenly Bodies at The Met Cloisters today and wanted to make sure I posted some of the pictures right away before I get too busy again and forget. It doesn’t disappoint. Again this is one of the most beautiful fashion exhibits I’ve ever seen at The Met. The scope and sheer magnitude of it is incredible. The exhibit like the one at the 5th Avenue Met is infused throughout with music creating a cinematic mood. Here is just a small sampling of what’s there.
May 20, 2018 § 1 Comment
This is by far one of the most beautiful exhibits I’ve experienced at The Met. It’s at 2 sites. The Fifth Avenue Museum and The Cloisters. I haven’t had a chance to visit the Cloisters yet, hence the Part 1. I’ll post back with photos from The Cloisters at a later date. I love how the fashion is blended with the artwork. The music is pretty fantastic too. If I had to choose a favorite piece it would have to be the black silk taffeta dress by Alexander Mcqueen. This is just a very small sampling. Be sure to click on the videos to get more of a feel for the exhibit.
April 14, 2018 § Leave a comment
October 14, 2017 § 2 Comments
So many of us our heartbroken this week by the death of our brilliant friend, dancer, teacher, and mentor, Mary Cochran. Mary grew up in Dallas, Texas where she began her dance training with her mother, Jerry Bywaters Cochran, a former dancer herself who studied in the 1950’s at Julliard with modern dance greats, Martha Graham and José Limon. After graduating high school from The University of North Carolina School of The Arts, Mary moved to New York to follow in her mother’s footsteps and attend Julliard. She was there only 2 days when The Nikolais Dance Theatre hired her and 2 years later she joined The Paul Taylor Dance Company. In 1996 she left Paul Taylor and began a career as a teacher. In 2008 she performed works by Sara Hook with David Parker at the Harvard Dance Center. She was Chair and Artistic Director of the Dance Department at Barnard College Columbia University from 2003-2013.
Mary, a force to be reckoned with, may your light shine bright as you dance among the angels.
“Kismet. Fate. Doors open. Sometimes the secret garden is right there. Sometimes you have to open a few more doors. Sometimes the first 37 doors blow open, hit you in the face, and break your nose every single time until you get to number 38, the one with the damned secret garden!” Mary Cochran